庵野秀明映画研究部(@annocinema)さんの人気ツイート(リツイート順)

The intersection of classical religious music, hard science fiction, background military operation chatter, and Anno's cutting, all coalesce into making this beautiful scene.
ナディア 対 エヴァ
All Four of You, Dance Like You Want to Win!
Less known redrawn animation in Death & Rebirth.
エヴァ 対 SSSS.DYNΛZENON
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ヤマト対ナディア
ナディアの最後のところもパリから始まりました
In order to make certain technology seem more impressive in Nadia, Anno would increase the animation frame rate to 24fps to create an other-worldly feeling within the usual 12fps world.
LCLの原点
エヴァのエンディング: 第21話:ミサトが絶望する (加持の死後) 第22話:アスカが絶望する (エヴァでの挫折後) 第23話:リツコが絶望する (ゲンドウがレイを選んだ後) 第24話:シンジが絶望する (カヲルを殺した後)
黄金比や対数螺旋
Mannequins from The End of Evangelion's live action sequence.
Stop me if you've seen these already. This is just me watching #DARLINGintheFRANXX for the first time and noticing what I tend to notice. I'm late to the party, I know.
エヴァ対ウルトラマン
Asuka and Misato's breakdowns.
Shin Godzilla's final draft script included a scene where during Operation Yashiori, Godzilla would use his tail to launch himself into a spinning jump.
The pilots' desolation.
Nadia referencing Yamato
Vending machine area = designated flirting area