1
Stop me if you've seen these already. This is just me watching #DARLINGintheFRANXX for the first time and noticing what I tend to notice.
I'm late to the party, I know.
2
Vending machine area = designated flirting area
4
In order to make certain technology seem more impressive in Nadia, Anno would increase the animation frame rate to 24fps to create an other-worldly feeling within the usual 12fps world.
5
After the alternate universe sequence in NGE26, we see the script of said sequence and Shinji holding the NGE script, complete with the Japanese logo on it.
7
It's a little heartbreaking to hear Anno reduce Asuka and Rei to this.
10
Mannequins from The End of Evangelion's live action sequence.
11
Hideaki Anno's titles continued. We can see an affinity for condensed typography.
15
Less known redrawn animation in Death & Rebirth.
16
Continued on the interestingly redrawn cels
17
Even Eva-01 was redrawn for Death & Rebirth. Like Rei, I think she looks much better in Death & Rebirth.
18
Anno's characters leaving in the foreground.
20
All Four of You, Dance Like You Want to Win!
25
The intersection of classical religious music, hard science fiction, background military operation chatter, and Anno's cutting, all coalesce into making this beautiful scene.
庵野秀明監督の作品（エヴァ、シン・ゴジラ、ナディア、カレカノ等）を分析しています
Reverse-engineering filmmaking by dissecting the works of Hideaki Anno. (I am NOT Hideaki Anno.)