54
In order to make certain technology seem more impressive in Nadia, Anno would increase the animation frame rate to 24fps to create an other-worldly feeling within the usual 12fps world.
55
The running Unit-01 in Eva2.0 is full CG, but when Anno first saw the rough footage, he wasn't satisfied.
He got Takeshi Honda to draw some rough key frames, and made the CG animator redo the animation, matching the shape and movement of the frames one by one. twitter.com/hitasuraeiga/s…
57
Mannequins from The End of Evangelion's live action sequence.
65
Vending machine area = designated flirting area
66
26 years after the airing of Evangelion began, it comes to an end.
26 is the way to end things.
67
Stop me if you've seen these already. This is just me watching #DARLINGintheFRANXX for the first time and noticing what I tend to notice.
I'm late to the party, I know.
68
Hideaki Anno's titles continued. We can see an affinity for condensed typography.
71
Continued on the interestingly redrawn cels
72
Shin Godzilla's final draft script included a scene where during Operation Yashiori, Godzilla would use his tail to launch himself into a spinning jump.
73
Anno's characters leaving in the foreground.
75
After the alternate universe sequence in NGE26, we see the script of said sequence and Shinji holding the NGE script, complete with the Japanese logo on it.
庵野秀明監督の作品（エヴァ、シン・ゴジラ、ナディア、カレカノ等）を分析しています
Reverse-engineering filmmaking by dissecting the works of Hideaki Anno. (I am NOT Hideaki Anno.)