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Father & Sons' Design Workshop
(It’s been a while...😅)
No.63 - JUNK BLASTER
Original Design: son
Watercolor Illustration : dad
102
Actually it took me some time because I didn’t like my first attempt. I threw it away and started again from scratch.
103
キャロル&チューズデイを見てください!⭐️🕺🏼🎤🎼
twitter.com/tdbadtm/status…
104
Father & Sons' Design Workshop
親子デザイン工房
No.64 - GHOST DJINN
Original Design: son
Watercolor Illustration : dad
107
Father & Sons' Design Workshop
親子デザイン工房 ✍️🎨
No.65 - WILD LANDS HARPY
Original Design: son
Watercolor Illustration : dad
108
The Dragonquest movie was gorgeous. It’s sad lot of people didn’t enjoy it because of its controversial ending. I’m personally happy to see CG animated feature films produced in Japan that can reach this level of quality.
109
C’est aujourd’hui que sort #CannonBusters sur #Netflix
Un anime unique, produit au Japon, mais avec un réalisateur américain, des designers français. J’étais chargé du design des persos et des robots. Un projet super fun. J’espère que la série va plaire!😊✨
110
今日からネトフリが配信するアニメ[キャノンバスダーズ]のキャラデザインとメカデザインを担当しました。第1話の絵コンテの一部も。よろしくお願いします！
111
Watch #CannonBusters directed by my friend LeSean Thomas🔥. I was in charge of the original character designs and mecha designs of the series. Produced in Tokyo. It’s a fun show you won’t regret it👍
Available on #Netflix
112
It’s still very early development but I’m currently working on projects based on the Koomos, the characters my sons and I created. Sneak peek👀 We are counting on you to support us when we will be ready!💪
@studionoborder
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The first designs I was in charge of during the early development of #CannonBusters anime back in 2014. This was the first time I was working with LeSean and it was a great collaborative experience.
114
Some character designs I did for #CannonBusters anime.
The show is streaming on Netflix!
115
All the people who understand something about how animation is made already criticized this tweet but let me join the party : this is 100% bs. So wrong and misinformed. 90% of character animation in anime is made without any CG support of any kind.
twitter.com/Chronexia/stat…
116
Carole & Tuesday (1st part) is available on #Netflix ! I’ve been working on this Japanese animated show for one year and a half, designing all the backgrounds with my friend @BrunetStanislas at @studionoborder
117
You should also talk about the fact that even if you manage to have digital animators, the animation director and director often do not work digitally. Most of the digital cuts are printed frame by frame, corrected on paper and scanned again.
twitter.com/canipashow/sta…
118
It’s been a while!
Father & Sons' Design Workshop
親子デザイン工房 ✍️🎨
No.66 - CLOUD EEL
Original Design: son
Watercolor Illustration : dad
119
We’re working on a new projet at @studionoborder ! It’s a game for kids and family. It’s developed for Sony’s new game plateform TOIO. You can check out the teaser here on YouTube.
m.youtube.com/watch?v=Mrg9bM…
120
Reportage sur notre communauté de Français expatriés dans le monde de l’animation au Japon.
@studionoborder
lemonde.fr/pixels/article…
121
This is the brand I use. twitter.com/adamtotscomix/…
122
Can’t wait for the Hollywood remake of this. twitter.com/kinki_official…
123
Anime is more and more popular worldwide but the working conditions are not getting much better for animators in Japan. Thanks Geth for speaking out. twitter.com/PurpleGeth/sta…
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I wouldn’t blame Sony on that but the agency and the director who obsiously doesn’t know the difference between inspiration and straight-up rip-off. It’s a shame. I wish the chance to shine have been given to those original and brilliant animators instead. twitter.com/catsuka/status…
125
Don’t trace other people art. twitter.com/cartoonbrew/st…
Creative & Art Director - Animation & Games
@studionoborder co-founder