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Mob Psycho 100 III #11
With the end in sight, the penultimate episode of the Mob series brings the culmination of Ritsu's story, as well as much-needed closure for the Suzuki family. Let's break down how the animation staff delivered these critical moments!
(1/21)
#mobpsycho
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Mob Psycho 100 III #10
As the series' final stretch of action commences, a character arc that began in the first season comes to a satisfying, destructive conclusion. Let's analyze how the production team made it happen!
(1/21)
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In that same vein, the walk here is actually a reworked Keiichiro Watanabe cut from 1x1. I'm glad to see it again since it's such a nice walk cycle, but it also serves to tie us back to that first episode in yet another way.
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Nowhere is Mob's growth illustrated better than this very direct callback to the series premiere. Hard work pays off.
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Mob Psycho 100 III #09
The calm before the storm; From a content and production standpoint, this is the final breather, effectively conveying Mob's growth and relationships before it all comes to a crashing halt. Let's break it down!
(1/14)
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Mob Psycho 100 III #08
On rare occasions, an episode will release that isn't just well-produced, but truly special. Hakuyu Go is a creator with the rare ability to capture that feeling in each of his works, and this episode is no different. Let's analyze!
(1/31)
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Absolutely tragic that nobody on earth wants to talk to Inukawa on the phone
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Mob Psycho 100 III #07
For the 2nd week in a row, a first-time director and storyboard artist makes a strong debut on Mob III. While it's a transitional and fairly conservative episode, this one still has plenty of notable aspects. Let's take a look!
(1/17)
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In 1 week
Hakuyu Go returns to Mob Psycho
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Yutaka Nakamura. His work speaks for itself. This is the first new scene from him in over a year now, and the first time he works on Mob since season 1. With all the insanity we've come to expect, he delivered yet another unmatched feast for the eyes.
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Mob Psycho 100 III #06
Armed with an all-star lineup of the industry's strongest animators, Yuuta Kiso's directorial debut delivers all of the spectacle and emotion one could hope for from a climactic episode of Mob. Let's break it down!
(1/31)
#mobpsycho
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Hiromatsu Shuu’s ED for Chainsaw Man takes the series’ obsession with film references to the next level by using the first ever motion picture as a motif. twitter.com/i/web/status/1…
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Mob Psycho 100 III
Production breakdown threads
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39
Mob Psycho 100 III #05
As the action ramps up for the penultimate episode of the ongoing Broccoli conflict, expectations rise with it. While not a major spectacle, Mob 3x5 delivers an effective and enjoyable adaptation of its source material. Time to analyze!
(1/22)
#mobpsycho
40
Tatsuya Yoshihara just reminded us why he's Chainsaw Man's action director by blowing the previous 3 episodes out of the water.
It has been many months since a new sequence from Keiichiro Watanabe, and It's refreshing to see that his output is just as chaotic as ever.
41
At this point, is there anything Vincent Chansard can't animate? This is the work of someone who has yet to encounter their own limits, and we're watching it firsthand
42
Since it was released when the season started, I've been interested in when Exist (the insert song) would be used, and I was not disappointed. For the first time, Mob is completely alone in solving a problem, and completely alone in the city. What an ending, and what an episode.
43
This episode didn't have many changes adaptation-wise, but I couldn't help but notice the decision to put Reigen and Mob's conversation in the same location that they reconciled in episode 7 of S2. Given that they came back together in that episode and split up here, it's poetic.
44
Moving back a bit, the scene with Teru nearly being brainwashed is extremely well executed and even steps into horror territory for a moment. Admittedly, I didn't even notice Psycho Helmet standing behind him on my first watch because my brightness was too low. Chilling shot.
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Mob Psycho 100 III #04
Naoto Uchida proved his true capabilities as a director and storyboard artist by bringing us Mob III's best episode yet, and one of the best of the year overall. Let's analyze what makes this tense and eerie experience so effective!
(1/23)
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46
It's great to see Riki Matsuura animate fire for the first time since Fire Force S2 ended, and a perfect reminder that he's damn good at it.
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Mob Psycho 100 III #03
The stage is set for the conflict around the giant broccoli to begin, but first comes the setup (and more shenanigans.) While not huge in scale, 3x3 features arguably the season's strongest storyboard yet. Let's take a closer look!
(1/??)
#mobpsycho
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Hitomi Kariya's Chainsaw Man ED, for which she handled nearly every aspect of production, features a remarkably cohesive and well-realized aesthetic with unique, unfiltered takes on the designs of the series' main 3. A fantastic first entry for the list of CSM ending sequences.
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Mob Psycho 100 III #02
It's the last self-contained adventure before we get into the meat of the season, and a great one at that. With a nice mix of comedy, action, and slice of life, let's break down what makes this one another Certified Mob Classic.
(1/16)
#mobpsycho
50
Miyo Sato's Mob Psycho 100 III ED is here and it's absolutely beautiful
talking about animation