1
Almost time for new Kai Ikarashi animation
(hopefully storyboards too)
3
Mob Psycho 100 III #12
All good things must come to an end. Mob Psycho's final chapter reaches its conclusion in a love letter to the series and a celebration of everything that brought us to this point. One (and only one) last time, let's break it down!
(1/34)
#mobpsycho
4
I was today years old when I learned this incredible, dramatically framed action sequence from Yutaka Nakamura is actually from a gag episode where these 2 idiots fight for no reason
5
One Piece #1055 ended with an eye-popping anime original clash animated by Sota Shigetsugu, an artist whose constant evolution continues to amaze me.
6
Akihiro Ota returned to the One Piece anime after an absence of more than 16 weeks to deliver his most impressive work yet, this time adapting a highly ambitious storyboard from Katsumi Ishizuka. The result of that unprecedented combination is nothing short of madness.
(1/16)
7
Takashi Kojima's ability to consistently draw characters at their absolute peak of visual appeal is incredible.
Even when it's only promo art, we're extremely lucky that he's such a big OP fan twitter.com/OPcom_info/sta…
8
Mob Psycho 100 III #08
On rare occasions, an episode will release that isn't just well-produced, but truly special. Hakuyu Go is a creator with the rare ability to capture that feeling in each of his works, and this episode is no different. Let's analyze!
(1/31)
#mobpsycho100
9
Beautiful simplicity - with a change in director from Sunghoo Park to Shota Goshozono, Jujutsu Kaisen season 2 has undergone one of the most impressive visual overhauls I've ever seen.
(1/10)
10
Nowhere is Mob's growth illustrated better than this very direct callback to the series premiere. Hard work pays off.
11
Mob Psycho 100 III #04
Naoto Uchida proved his true capabilities as a director and storyboard artist by bringing us Mob III's best episode yet, and one of the best of the year overall. Let's analyze what makes this tense and eerie experience so effective!
(1/23)
#mobpsycho
12
Mob Psycho 100 III #06
Armed with an all-star lineup of the industry's strongest animators, Yuuta Kiso's directorial debut delivers all of the spectacle and emotion one could hope for from a climactic episode of Mob. Let's break it down!
(1/31)
#mobpsycho
13
Mob Psycho 100 III
Production breakdown threads
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One Piece episode #1033
An exciting next step for a talented young director
(1/18)
#ONEPIECE1033
15
Tam Lu is credited on Chainsaw Man's OP, and I'm putting this out there as my guess for his work
It's reminiscent of Yama's own animation from a certain iconic Naruto OP, but the effects and even compositing are in line with Tam's recent independent work. Amazing stuff either way
16
Mob Psycho 100 III #10
As the series' final stretch of action commences, a character arc that began in the first season comes to a satisfying, destructive conclusion. Let's analyze how the production team made it happen!
(1/21)
#mobpsycho
17
Vincent Chansard caps off another One Piece entry with what can only be described as a showcase of raw animation power
18
REIGEN ARATAKA (霊幻新隆) Sakuga MAD
inspired by recent events
#REIGENSWEEP
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Anime Highlights of 2022
[THREAD]
The past year was a hugely productive one for the medium of animation, so I figured I'd start 2023 with a look back at some of the works which brought me the most joy!
20
Mob Psycho 100 III #09
The calm before the storm; From a content and production standpoint, this is the final breather, effectively conveying Mob's growth and relationships before it all comes to a crashing halt. Let's break it down!
(1/14)
#mobpsycho
21
Mob Psycho 100 III's main PV finally dropped
so let's take a closer look at the insanity
1/8
22
Tatsuya Yoshihara just reminded us why he's Chainsaw Man's action director by blowing the previous 3 episodes out of the water.
It has been many months since a new sequence from Keiichiro Watanabe, and It's refreshing to see that his output is just as chaotic as ever.
23
Fantastic premiere for Tengoku Daimakyou, honestly I don't know how I'll wait for next week.
Sweeping, dynamic camerawork throughout the episode makes this beautifully crafted world feel even more alive.
24
At this point, is there anything Vincent Chansard can't animate? This is the work of someone who has yet to encounter their own limits, and we're watching it firsthand
talking about animation