ついふぁん!
ランキング
新着
cinesthetic
(@TheCinesthetic)さんの人気ツイート(リツイート順)
ツイート
新しい順
古い順
リツイート順
いいね順
メディア
前
67
68
69
70
71
次
1701
cinesthetic
@TheCinesthetic
The Matrix Revolutions (2003) dir. The Wachowskis
1702
cinesthetic
@TheCinesthetic
But I'm a Cheerleader (1999) dir. Jamie Babbit
1703
cinesthetic
@TheCinesthetic
Adèle Exarchopoulos photographed by Karl Lagerfeld for Numéro France, 2014.
1704
cinesthetic
@TheCinesthetic
A Most Violent Year (2014) dir. J.C. Chandor
1705
cinesthetic
@TheCinesthetic
Roger Deakins on the set of Skyfall
1706
cinesthetic
@TheCinesthetic
Hot Fuzz (2007) dir. Edgar Wright
1707
cinesthetic
@TheCinesthetic
First Man (2018) dir. Damien Chazelle
1708
cinesthetic
@TheCinesthetic
A Single Man (2009) dir. Tom Ford
1709
cinesthetic
@TheCinesthetic
West side story (2021) dir. Steven Spielberg
1710
cinesthetic
@TheCinesthetic
Star Wars: The Force Awakens (2015) dir. J.J. Abrams
1711
cinesthetic
@TheCinesthetic
E.T. The Extra-Terrestrial (1982) dir. Steven Spielberg
1712
cinesthetic
@TheCinesthetic
Sunset Boulevard (1950) dir. Billy Wilder
1713
cinesthetic
@TheCinesthetic
1714
cinesthetic
@TheCinesthetic
1715
cinesthetic
@TheCinesthetic
Léa Seydoux photographed by Peter Lindbergh.
1716
cinesthetic
@TheCinesthetic
Happy Birthday, Laura Dern!
1717
cinesthetic
@TheCinesthetic
Happy Birthday, Ingrid Bergman!
1718
cinesthetic
@TheCinesthetic
Vicky Cristina Barcelona (2008) dir. Woody Allen
1719
cinesthetic
@TheCinesthetic
Wong Kar-wai photographed by Wing Shya, behind the scenes of HAPPY TOGETHER, 1997.
1720
cinesthetic
@TheCinesthetic
The Birds (1963) dir. Alfred Hitchcock
1721
cinesthetic
@TheCinesthetic
1722
cinesthetic
@TheCinesthetic
Tomboy (2011) dir. Céline Sciamma
1723
cinesthetic
@TheCinesthetic
Who Framed Roger Rabbit (1988) dir. Robert Zemeckis
1724
cinesthetic
@TheCinesthetic
Sydney Sweeney photographed by Myles Hendrik for W Magazine.
1725
cinesthetic
@TheCinesthetic
Léa Seydoux for Obsession Magazine, 2013.
前
67
68
69
70
71
次
ユーザ検索
@
検索
ハッシュタグ検索
#
検索
cinesthetic
@TheCinesthetic
Cinema is a matter of what's in the frame and what's out. - Martin Scorsese