ついふぁん!
ランキング
新着
cinesthetic
(@TheCinesthetic)さんの人気ツイート(リツイート順)
ツイート
新しい順
古い順
リツイート順
いいね順
メディア
前
57
58
59
60
61
次
1451
cinesthetic
@TheCinesthetic
Brad Pitt photographed by Greg Williams, 2012
1452
cinesthetic
@TheCinesthetic
Kristen Stewart on the set of Spencer (2021)
1453
cinesthetic
@TheCinesthetic
1454
cinesthetic
@TheCinesthetic
Chinatown (1974) dir. Roman Polanski
1455
cinesthetic
@TheCinesthetic
Tropic Thunder (2008) dir. Ben Stiller
1456
cinesthetic
@TheCinesthetic
Al Pacino and Robert De Niro photographed by Ron Galella, 1982.
1457
cinesthetic
@TheCinesthetic
1458
cinesthetic
@TheCinesthetic
The Matrix Resurrections (2021) dir. Lana Wachowski
1459
cinesthetic
@TheCinesthetic
Grace Kelly photographed with Audrey Hepburn backstage at the 28th Academy Awards on March 21, 1956
1460
cinesthetic
@TheCinesthetic
Oscar Nominee
1461
cinesthetic
@TheCinesthetic
Wild Things (1998) dir. John McNaughton
1462
cinesthetic
@TheCinesthetic
Batman: Mask of the Phantasm (1993) dir. Bruce Timm, Eric Radomski
1463
cinesthetic
@TheCinesthetic
Indiana Jones and the Temple of Doom (1984) dir. Steven Spielberg
1464
cinesthetic
@TheCinesthetic
Amy Adams photographed by Patricia de la Rosa.
1465
cinesthetic
@TheCinesthetic
Ana de Armas photographed by Steven Klein for Vanity Fair, 2023.
1466
cinesthetic
@TheCinesthetic
Happy Birthday, Harrison Ford!
1467
cinesthetic
@TheCinesthetic
Panic Room (2002) dir. David Fincher
1468
cinesthetic
@TheCinesthetic
Mean Streets (1973) dir. Martin Scorsese
1469
cinesthetic
@TheCinesthetic
twitter.com/TrivWorks/stat…
1470
cinesthetic
@TheCinesthetic
After Hours (1985) dir. Martin Scorsese
1471
cinesthetic
@TheCinesthetic
1472
cinesthetic
@TheCinesthetic
Mission: Impossible – Rogue Nation was released on this day 7 years ago.
1473
cinesthetic
@TheCinesthetic
Buffalo '66 (1998) dir. Vincent Gallo
1474
cinesthetic
@TheCinesthetic
1475
cinesthetic
@TheCinesthetic
Monica Bellucci during the Cannes Film Festival, 1997.
前
57
58
59
60
61
次
ユーザ検索
@
検索
ハッシュタグ検索
#
検索
cinesthetic
@TheCinesthetic
Cinema is a matter of what's in the frame and what's out. - Martin Scorsese