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901
cinesthetic
@TheCinesthetic
Florence Pugh photographed by Steven Klein for Vanity Fair, 2023.
902
cinesthetic
@TheCinesthetic
Paul Newman at the Venice Film Festival, 1st September, 1963.
903
cinesthetic
@TheCinesthetic
904
cinesthetic
@TheCinesthetic
Mulholland Drive (2001) dir. David Lynch
905
cinesthetic
@TheCinesthetic
before sunrise // before midnight
906
cinesthetic
@TheCinesthetic
Kristen Stewart in On the Road (2012) dir. Walter Salles
907
cinesthetic
@TheCinesthetic
Léa Seydoux photographed by Collier Schorr for AnOther Magazine, 2015.
908
cinesthetic
@TheCinesthetic
Betty Blue (1986) dir. Jean-Jacques Beineix
909
cinesthetic
@TheCinesthetic
Raging Bull (1980) dir. Martin Scorsese
910
cinesthetic
@TheCinesthetic
The cinematography of House of the Dragon
911
cinesthetic
@TheCinesthetic
Kristen Stewart photographed by Hedi Slimane.
912
cinesthetic
@TheCinesthetic
A Ghost Story (2017) dir. David Lowery
913
cinesthetic
@TheCinesthetic
Monica Bellucci photographed by Helmut Newton for Blumarine, 1993.
914
cinesthetic
@TheCinesthetic
Us (2019) dir. Jordan Peele
915
cinesthetic
@TheCinesthetic
Mulholland Drive (2001) dir. David Lynch
916
cinesthetic
@TheCinesthetic
Irreversible (2002) dir. Gaspar Noè
917
cinesthetic
@TheCinesthetic
Alien (1979) dir. Ridley Scott
918
cinesthetic
@TheCinesthetic
Margot Robbie as Sharon Tate on set of Once Upon a Time in Hollywood, 2018.
919
cinesthetic
@TheCinesthetic
Drive My Car (2021) dir. Ryusuke Hamaguchi
920
cinesthetic
@TheCinesthetic
Suspiria (2018) dir. Luca Guadagnino
921
cinesthetic
@TheCinesthetic
922
cinesthetic
@TheCinesthetic
“There's a safety in thinking in a diner. You can have your coffee or your milkshake, and you can go off into strange dark areas, and always come back to the safety of the diner.” ― David Lynch
923
cinesthetic
@TheCinesthetic
The Handmaiden (2016), dir. Park Chan-wook
924
cinesthetic
@TheCinesthetic
Ana de Armas for Glamour Magazine, 2011.
925
cinesthetic
@TheCinesthetic
Collateral (2004) dir. Michael Mann
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cinesthetic
@TheCinesthetic
Cinema is a matter of what's in the frame and what's out. - Martin Scorsese