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cinesthetic
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1226
cinesthetic
@TheCinesthetic
1227
cinesthetic
@TheCinesthetic
The Man from U.N.C.L.E. (2015) dir. Guy Ritchie
1228
cinesthetic
@TheCinesthetic
Dog Day Afternoon (1975) dir. Sidney Lumet
1229
cinesthetic
@TheCinesthetic
The Batman (2022) dir. Matt Reeves
1230
cinesthetic
@TheCinesthetic
Margot Robbie photographed by Max Doyle.
1231
cinesthetic
@TheCinesthetic
Cate Blanchett photographed by Firooz Zahedi.
1232
cinesthetic
@TheCinesthetic
Le Samouraï (1967) dir. Jean-Pierre Melville
1233
cinesthetic
@TheCinesthetic
Robert De Niro on the set of Taxi Driver (1976) photographed by Steve Schapiro.
1234
cinesthetic
@TheCinesthetic
In The Mood For Love (2000) dir. Wong Kar-wai
1235
cinesthetic
@TheCinesthetic
LA PISCINE (1969) dir. Jacques Deray
1236
cinesthetic
@TheCinesthetic
Scarlett Johansson on the set of Lost in Translation (2003).
1237
cinesthetic
@TheCinesthetic
Girl, Interrupted was released on this day 23 years ago.
1238
cinesthetic
@TheCinesthetic
Pierrot Le Fou (1965) dir. Jean-Luc Godard
1239
cinesthetic
@TheCinesthetic
Grace Kelly photographed with Audrey Hepburn backstage at the 28th Academy Awards on March 21, 1956
1240
cinesthetic
@TheCinesthetic
We Need To Talk About Kevin (2011) dir. Lynne Ramsay
1241
cinesthetic
@TheCinesthetic
The Piano Teacher (2001) dir. Michael Haneke
1242
cinesthetic
@TheCinesthetic
Once Upon a Time in Hollywood (2019) dir. Quentin Tarantino
1243
cinesthetic
@TheCinesthetic
1244
cinesthetic
@TheCinesthetic
Monica Bellucci in The Matrix Reload (2003)
1245
cinesthetic
@TheCinesthetic
Gladiator (2000) dir. Ridley Scott
1246
cinesthetic
@TheCinesthetic
Snatch (2000) dir. Guy Ritchie
1247
cinesthetic
@TheCinesthetic
Kristen Stewart photographed by Matt Jones.
1248
cinesthetic
@TheCinesthetic
Lucy Liu photographed by Steve Shaw for Esquire UK, October 2001
1249
cinesthetic
@TheCinesthetic
Raiders Of The Lost Ark (1981) dir. Steven Spielberg
1250
cinesthetic
@TheCinesthetic
The Usual Suspects (1995) dir. Bryan Singer
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cinesthetic
@TheCinesthetic
Cinema is a matter of what's in the frame and what's out. - Martin Scorsese