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701
cinesthetic
@TheCinesthetic
Before Midnight (2013) dir. Richard Linklater
702
cinesthetic
@TheCinesthetic
The Hunt (2012) dir. Thomas Vinterberg
703
cinesthetic
@TheCinesthetic
The amazing John Cazale should have been 87 today. He only appeared in five films but all of them were nominated for the Academy Award for Best Picture.
704
cinesthetic
@TheCinesthetic
Whiplash (2014) dir. Damien Chazelle
705
cinesthetic
@TheCinesthetic
Reservoir Dogs (1992) dir. Quentin Tarantino
706
cinesthetic
@TheCinesthetic
Moulin Rouge! (2001) dir. Baz Luhrmann
707
cinesthetic
@TheCinesthetic
The Matrix (1999) dir. Lana Wachowski, Lilly Wachowski
708
cinesthetic
@TheCinesthetic
Dunkirk (2017) dir. Christopher Nolan
709
cinesthetic
@TheCinesthetic
Walk the Line (2005) dir. James Mangold
710
cinesthetic
@TheCinesthetic
The Tree of Life (2011) , dir. Terrence Malick
711
cinesthetic
@TheCinesthetic
Midnight in Paris (2011) dir. Woody Allen
712
cinesthetic
@TheCinesthetic
Tomboy (2011) dir. Céline Sciamma
713
cinesthetic
@TheCinesthetic
Prisoners (2013) dir. Denis Villeneuve
714
cinesthetic
@TheCinesthetic
12 years ago today,
@edgarwright
's SCOTT PILGRIM VS THE WORLD released in theaters.
715
cinesthetic
@TheCinesthetic
Michelle Pfeiffer and Al Pacino on the set of Scarface, 1983.
716
cinesthetic
@TheCinesthetic
Monica Bellucci for Vogue, 1994.
717
cinesthetic
@TheCinesthetic
Isle of Dogs (2018) dir. Wes Anderson
718
cinesthetic
@TheCinesthetic
The Shape of Water (2017) dir. Guillermo del Toro
719
cinesthetic
@TheCinesthetic
Happy Birthday, Alfred Hitchcock!
720
cinesthetic
@TheCinesthetic
Psycho (1960) dir. Alfred Hitchcock
721
cinesthetic
@TheCinesthetic
Vertigo (1958) dir. Alfred Hitchcock
722
cinesthetic
@TheCinesthetic
Rear Window (1954) dir. Alfred Hitchcock
723
cinesthetic
@TheCinesthetic
Rope (1948) dir. Alfred Hitchcock
724
cinesthetic
@TheCinesthetic
The Birds (1963) dir. Alfred Hitchcock
725
cinesthetic
@TheCinesthetic
Penelope Cruz photographed by Naomi Kaltman, 1999
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cinesthetic
@TheCinesthetic
Cinema is a matter of what's in the frame and what's out. - Martin Scorsese