ついふぁん!
ランキング
新着
cinesthetic
(@TheCinesthetic)さんの人気ツイート(古い順)
ツイート
新しい順
古い順
リツイート順
いいね順
メディア
前
16
17
18
19
20
次
426
cinesthetic
@TheCinesthetic
Palm Springs (2020) dir. Max Barbakow
427
cinesthetic
@TheCinesthetic
La Piscine (1969) dir. Jacques Deray
428
cinesthetic
@TheCinesthetic
pic.twitter.com/ojBC7l0Ju5
429
cinesthetic
@TheCinesthetic
Annihilation (2018) dir. Alex Garland
430
cinesthetic
@TheCinesthetic
Mulholland Drive (2001) dir. David Lynch
431
cinesthetic
@TheCinesthetic
Marilyn Monroe photographed by Bruno Bernard, 1948.
432
cinesthetic
@TheCinesthetic
433
cinesthetic
@TheCinesthetic
Scarlett Johansson photographed by Georges De Keerle in Venice, 2013.
434
cinesthetic
@TheCinesthetic
Spencer (2021), dir. Pablo Larraín
435
cinesthetic
@TheCinesthetic
Interstellar (2014), dir. Christopher Nolan
436
cinesthetic
@TheCinesthetic
Dirty Dancing (1987), dir. Emile Ardolino.
437
cinesthetic
@TheCinesthetic
C'mon C'mon (2021) dir. Mike Mills
438
cinesthetic
@TheCinesthetic
Crazy, Stupid, Love was released 11 years ago today.
439
cinesthetic
@TheCinesthetic
Shutter Island (2010) dir. Martin Scorsese
440
cinesthetic
@TheCinesthetic
American Psycho (2000) dir. Mary Harron
441
cinesthetic
@TheCinesthetic
Begin Again (2013) dir. John Carney
442
cinesthetic
@TheCinesthetic
The Perks of Being a Wallflower (2012) dir. Stephen Chbosky
443
cinesthetic
@TheCinesthetic
Silver Linings Playbook (2012) dir. David O. Russell
444
cinesthetic
@TheCinesthetic
Charlize Theron photographed by Mark Seliger, 1997.
445
cinesthetic
@TheCinesthetic
Wild At Heart (1990), dir. David Lynch
446
cinesthetic
@TheCinesthetic
Gone Girl (2014) dir. David Fincher
447
cinesthetic
@TheCinesthetic
Cate Blanchett photographed by Greg Williams for Esquire, 2003.
448
cinesthetic
@TheCinesthetic
449
cinesthetic
@TheCinesthetic
Romeo + Juliet (1996) dir. Baz Luhrmann
450
cinesthetic
@TheCinesthetic
Christian Bale photographed by Robin Holland for The Village Voice, 1998.
前
16
17
18
19
20
次
ユーザ検索
@
検索
ハッシュタグ検索
#
検索
cinesthetic
@TheCinesthetic
Cinema is a matter of what's in the frame and what's out. - Martin Scorsese