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1401
cinesthetic
@TheCinesthetic
Booksmart (2019) dir. Olivia Wilde
1402
cinesthetic
@TheCinesthetic
Sydney Sweeney photographed by Josh Ryan.
1403
cinesthetic
@TheCinesthetic
Schindler's List (1993) dir. Steven Spielberg
1404
cinesthetic
@TheCinesthetic
Grace Kelly in To Catch A Thief, 1955.
1405
cinesthetic
@TheCinesthetic
The Batman (2022) dir. Matt Reeves
1406
cinesthetic
@TheCinesthetic
Baby Driver (2017) dir. Edgar Wright
1407
cinesthetic
@TheCinesthetic
Monica Bellucci photographed by Frederic Meylan
1408
cinesthetic
@TheCinesthetic
Ex Machina (2015) dir. Alex Garland
1409
cinesthetic
@TheCinesthetic
Perfect Blue (1997) dir. Satoshi Kon
1410
cinesthetic
@TheCinesthetic
Unforgiven (1992) dir. Clint Eastwood
1411
cinesthetic
@TheCinesthetic
Sympathy for Lady Vengeance (2005) dir. Park Chan-wook
1412
cinesthetic
@TheCinesthetic
Top Gun : Maverick (2022) dir. Joseph Kosinski
1413
cinesthetic
@TheCinesthetic
Three Colors: Blue (1993) dir. Krzysztof Kieślowski
1414
cinesthetic
@TheCinesthetic
The Piano Teacher (2001) dir. Michael Haneke
1415
cinesthetic
@TheCinesthetic
The Neon Demon (2016) dir. Nicolas Winding Refn
1416
cinesthetic
@TheCinesthetic
Ana De Armas as Marilyn Monroe for Blonde, 2022.
1417
cinesthetic
@TheCinesthetic
Mission Impossible: Fallout was released on this day 4 years ago.
1418
cinesthetic
@TheCinesthetic
Petite Maman (2021) dir. Céline Sciamma
1419
cinesthetic
@TheCinesthetic
mid90s (2018) dir. Jonah Hill
pic.twitter.com/S0ANBSVl7z
1420
cinesthetic
@TheCinesthetic
New image of Ana de Armas as Marilyn Monroe in BLONDE.
1421
cinesthetic
@TheCinesthetic
Casablanca (1942) dir. Michael Curtiz
1422
cinesthetic
@TheCinesthetic
Stuntman Mike Death Proof | Quentin Tarantino | 2007
1423
cinesthetic
@TheCinesthetic
The Irishman (2019) dir. Martin Scorsese
1424
cinesthetic
@TheCinesthetic
Doctor Strange in the Multiverse of Madness (2022) dir. Sam Raimi
1425
cinesthetic
@TheCinesthetic
Amy Adams photographed by Carter Smith to Allure magazine, 2016.
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cinesthetic
@TheCinesthetic
Cinema is a matter of what's in the frame and what's out. - Martin Scorsese