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1626
cinesthetic
@TheCinesthetic
Under The Skin (2013) dir. Jonathan Glazer
1627
cinesthetic
@TheCinesthetic
Willem Dafoe photographed by Marcelo Krasilcic for AnOther Magazine, 2003.
1628
cinesthetic
@TheCinesthetic
Mank (2020) dir. David Fincher
1629
cinesthetic
@TheCinesthetic
Monica Bellucci photographed by Piero Gemelli, 1996.
1630
cinesthetic
@TheCinesthetic
August 18, 1973. News of a bizarre, chainsaw wielding family- reports which were to ignite the world’s imagination - began to filter out of Central Texas. Happy Texas Chainsaw Massacre Day!
1631
cinesthetic
@TheCinesthetic
Vicky Cristina Barcelona (2008) dir. Woody Allen
1632
cinesthetic
@TheCinesthetic
1633
cinesthetic
@TheCinesthetic
1634
cinesthetic
@TheCinesthetic
Knight Of Cups (2015) dir. Terrence Malick
1635
cinesthetic
@TheCinesthetic
Indiana Jones and the Temple of Doom (1984) dir. Steven Spielberg
1636
cinesthetic
@TheCinesthetic
Sorry To Bother You (2018) dir. Boots Riley
1637
cinesthetic
@TheCinesthetic
Angelina Jolie photographed by Michel Bourquard, 1994.
1638
cinesthetic
@TheCinesthetic
The Hunger Games : Catching Fire (2013) dir. Francis Lawrence
1639
cinesthetic
@TheCinesthetic
Wong Kar-wai photographed by Wing Shya, behind the scenes of HAPPY TOGETHER, 1997.
1640
cinesthetic
@TheCinesthetic
E.T. the Extra-Terrestrial (1982) dir. Steven Spielberg
1641
cinesthetic
@TheCinesthetic
1642
cinesthetic
@TheCinesthetic
Speed (1993) dir. Jan De Bont
1643
cinesthetic
@TheCinesthetic
Before Midnight (2013) dir. Richard Linklater
1644
cinesthetic
@TheCinesthetic
Only Lovers Left Alive (2013), dir. Jim Jarmusch
1645
cinesthetic
@TheCinesthetic
Dirty Dancing (1987), dir. Emile Ardolino.
1646
cinesthetic
@TheCinesthetic
Nightmare Alley (1947) dir. Edmund Goulding
1647
cinesthetic
@TheCinesthetic
Raging Bull (1980) dir. Martin Scorsese
1648
cinesthetic
@TheCinesthetic
Capote (2005) dir. Bennet Miller
1649
cinesthetic
@TheCinesthetic
Spider-Man: No Way Home (2021) dir. Jon Watts
1650
cinesthetic
@TheCinesthetic
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cinesthetic
@TheCinesthetic
Cinema is a matter of what's in the frame and what's out. - Martin Scorsese