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851
cinesthetic
@TheCinesthetic
The Iron Giant (1999) dir. Brad Bird
852
cinesthetic
@TheCinesthetic
The Green Knight (2021) dir. David Lowery
853
cinesthetic
@TheCinesthetic
Willem Dafoe photographed by Andrew Southam, 1980′s.
854
cinesthetic
@TheCinesthetic
Drive (2011) dir. Nicolas Winding Refn
855
cinesthetic
@TheCinesthetic
The Curious Case of Benjamin Button (2008) dir. David Fincher
pic.twitter.com/t9OgG5vDvP
856
cinesthetic
@TheCinesthetic
Moonrise Kingdom (2012) dir. Wes Anderson
857
cinesthetic
@TheCinesthetic
Into The Wild (2007) dir. Sean Penn
858
cinesthetic
@TheCinesthetic
The VVitch (2015) dir. Robert Eggers
859
cinesthetic
@TheCinesthetic
Forrest Gump (1994) dir. Robert Zemeckis
860
cinesthetic
@TheCinesthetic
Inherent Vice (2014) dir. Paul Thomas Anderson.
861
cinesthetic
@TheCinesthetic
Martin Scorsese sitting with The Departed cast: Leonardo DiCaprio, Jack Nicholson and Matt Damon. Photographed by Greg Williams, 2006.
862
cinesthetic
@TheCinesthetic
Monica Bellucci in L'Appartement, 1996.
863
cinesthetic
@TheCinesthetic
Monica Bellucci photographed by Eddie Monsoon, 1991.
864
cinesthetic
@TheCinesthetic
Angelina Jolie photographed by Mark Seliger
865
cinesthetic
@TheCinesthetic
Margot Robbie photographed by Patrick Demarchelier, 2016
866
cinesthetic
@TheCinesthetic
Scream (1996) dir. Wes Craven
867
cinesthetic
@TheCinesthetic
Remembering River Phoenix, who would have been 52 today.
868
cinesthetic
@TheCinesthetic
Up (2009) dir. Pete Docter
869
cinesthetic
@TheCinesthetic
Angelina Jolie photographed by Lionel Deluy
870
cinesthetic
@TheCinesthetic
Jeremy Allen White photographed by Steven Klein for Vanity Fair, 2023
871
cinesthetic
@TheCinesthetic
Léa Seydoux photographed by Mark Peckmezian
872
cinesthetic
@TheCinesthetic
Monica Bellucci photographed by Ellen von Unwerth
873
cinesthetic
@TheCinesthetic
Fear and Loathing in Las Vegas (1998) dir. Terry Gilliam
874
cinesthetic
@TheCinesthetic
Akira (1988) dir. Katsuhiro Otomo
875
cinesthetic
@TheCinesthetic
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cinesthetic
@TheCinesthetic
Cinema is a matter of what's in the frame and what's out. - Martin Scorsese