1
I'm too lazy to finish this or do compositing, so here you go.
wanted to exercise a bit again with something else than BNHA for once.
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An exercice i made using BNHA's characters to hopefully get better at drawing and animating.
Sorry for the gifs quality. . .
Part01
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An exercice i made using BNHA's characters to hopefully get better at drawing and animating.
Sorry for the gifs quality. . .
Part02
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Small peeks at an animation exercise we've been doing with my colleagues at studio la cachette in France in between works. Except it seems that work never stops in this dimension . . . Not gonna complain tho.
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Here's an old test i did one year ago before doing the tsuyu/toga sequence. Figured i'd have to post it here?
Sorry i'm still forgetting i have a twitter, and i still have no idea how it works.
Also i've been working on so many things i can't wait to show. . .
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I was very lucky to work on Tanaka-san's episode again!
Kenji Yokoyama-san was the AD for this episode.
As usual I am very thankfull to Shiraishi-san for her help during the production!
And of course, Tokita-san as well, for accepting my request to participate to this episode!
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Animation of the week end.
In loving memory of what was at a point my favorite manga.
Btw nearly finished with the student life /o/
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My work on Boruto 217.
What a fun episode to work on and what a great team.
It has been a year since i started working on boruto thanks to Asaoka-san. I never expected it to last that long, but i definitly do not regret it.
#BORUTO
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My work on Boruto OP10.
It's been a very fun year of Boruto for me thanks to Asaoka-san.
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Part 1 of my work on boruto OP8, more to come later. . . .? ? ?
So many thanks to Asaoka-san for his patience and trust in me!
浅岡さん、どうもありがとうございました!!
And of course so many thanks to director Imaki for his wonderfull directing.
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My small contribution to Black Clover 167.
I cannot thank enough Hayashi-san for his patience with me, and of course the directors for the beautifull drawing corrections.
It was a really fun production.
#ブラッククローバー #ブラクロ
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Back on Tanaka-san's episode of one piece next week.
Please look forward to everyone's work!
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Rough layout/ichigen I did for Boruto OP8 part2.
Would have prefered cleaning them myself, but hey that's life I guess.
As usual a lot of thanks to Asaoka-san who's been supervising me since I started on Boruto.
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I helped a bit on Koyama-san's episode today.
You know how it is, here's my part
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I am very happy people like my animation, but please don't use it to hate people who literally destroy their health to make anime.
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I will be working full time for Toei's One piece for a few months. It is something I have been wanting to do for some time, and finally took a break from my main work in France for it.
The one piece staff is full of amazing people, and I am very thankful to tokita-san!
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The shots I had time to clean on #BORUTO
As usual so many thanks to Asaoka-san for his support
Drawing corrections by Ichiro Uno-san were beautifull
Also,I am sorry to director Takeru Ogiwara-san for changing the storyboard so much🙏
Might post corrections I did on the ep later
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Some dino danger, done last year at studio la cachette on what was supposed to be episode 8.
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It's so frustrating to have worked for amazing productions this past year and not be able to show nor talk about any of it.
I guess i'll have to feed this twitter account with old stuff then.
Have this old animation i did nearly three years ago, drawings kinda sucks but hey...
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Some shots I did last year on what was Primal ep7 at studio La Cachette in Paris.
I believe this sequence was then assisted by Noémie Blondel and Gabrielle Pereira.
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Had to delay a bit this tribute to Nier automata, i'll post what i did on it later
Music written and mixed/produced by Tom Ferguson
soundcloud.com/tomfergusoncom…
Sound design and mix by proximity sound
proximitysound.com
Animators:
Julien Cortey
Nathan Armstrong
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Some shots i did last year on Fate/Grand Order - Paladin; Agateram.
Many thanks to Hakuyu Go-san who reached out to me!
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Some of the shots I did on Oussama Bouacheria @PetitCachottier 's Medhi trailer at studio la cachette @Studiocachette
Part 1/3: The climax.
Storyboard, animation supervision, character corrections and final adjustements all by Oussama Bouacheria
Assisting by Thea Nicole de Klerk
Graduated from Gobelins June 2019
I do le animation and le storyboardu.
vchansard.baguette@gmail.com