Tohad(@sylvainsarrailh)さんの人気ツイート(いいね順)

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The work of Hans Wagula (1894-1964) is a good reference for how to play with the negative space in a composition :
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Backgrounds from The Dragon Prince (2018, Wonderstorm / Bardel Entertainment / MWM Studios)
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Léa Pinto finished her internship at our studio last month, and I'm impressed to see her astonishing progress on environment backgrounds : artstation.com/l-pinto She's looking for a job/freelance mission in the VG/animation industry ! ( IG : instagram.com/_lea.pinto_/ )
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Backgrounds from Carmen Sandiego by Eastwood Wong (2019, Chromosphere) :
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The peaceful haze of Gyokudō Kawai (川合 玉堂, 1873 - 1957)
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The amazing fantasy landscapes of Theo Prins : theoprins.com
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Backgrounds from "Children Who Chase Lost Voices" (Hoshi wo Ou Kodomo, 星を追う子ども, CoMix Wave Films) :
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Concept art from Madagascar 3: Europe's Most Wanted by Kenard Pak (2012, DreamWorks Animation) pandagun.com/Madagascar-3
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Destiny concept art by Jaime Jones : artpad.org
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Backgrounds from Atlantis: The Lost Empire (Disney Studios, 2001) : imgur.com/a/u2hZp2W
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Mediterranean scenes of Augusto Lovatti (1852-1921)
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Backgrounds from Klaus by Carles Demiguel (2019, Sergio Pablos Animation Studios) : artstation.com/artwork/EVAg9n
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How not to fall in love with Matt Rockefeller's colors ? ( @mcrockefeller ) mrockefeller.tumblr.com
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The amazing organic world of Leopold Rothaug (1868-1959) :
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The poetry in the painting of Ivan Ivanovich Shishkin (Russian, 1832–1898) have a big influence on my work for Forest of Liars :
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Backgrounds from Winnie the Pooh ( 2011, Disney) :
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The elegant stylization in the landscapes of Randy Hayashi : hayashi.ca
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Concepts and backgrounds from Disney's Jungle Book by Walt Peregoy (1925-2015)
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Backgrounds from Peter Pan (Disney, 1953) :
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Work in progress :
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"Landschaft mit Pilger" by Karl Friedrich Schinkel (1781 – 1841) Foliage brushes before photoshop :)
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Another painting on @Procreate with one arm. One hour of work at Contis plage (France).
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Le drop shipping est en train créer une génération entière de petits cons persuadés qu'on va leur serrer la main alors qu'ils nous agitent leur gros doigt d'honneur au visage :
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Concept art from The Sword in the Stone (1963,Walt Disney Productions)
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The elegant angular stylization of Michal Sawtyruk : michalsawtyruk.com/projects