Tohad(@sylvainsarrailh)さんの人気ツイート(いいね順)

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Work in progress (reboot of an old illustration)
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Elegant shape language in the compositions of @viv_tanner : behance.net/vivtanner
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The poetic compositions of Thomas Blackshear : thomasblackshearart.com/western-art/45…
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Netflix' Castlevania Season 2 backgrounds by Sean Vo (2018, Frederator Studios/ Powerhouse Animation Studios) : seanvo.blogspot.com
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#PortfolioDay I'm Sylvain, art director of @UmeshuLovers, creator of Forest of Liars and concept artist : artstation.com/tohad I worked these last years with Guerrilla Games, Electronic Arts, Rocksteady, Illumination, Ubi, and various studios.
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Concept art from Ice Age 2: The Meltdown (2006, Blue Sky Studios)
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Backgrounds from The Illusionist (2010, Pathé/Django Films) :
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The sunny lakescapes of Adolf Chwala ( 1836-1900 )
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Some urban environments from my portfolio :
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Lady and the Tramp concept art by Eyvind Earle (1955, Walt Disney Productions)
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Portfolio updates summary :
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Backgrounds from Disney’s The Jungle Book (1967) :
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Backgrounds from Basquash! (Satelight - 2009, art direction Thomas Romain @Thomasintokyo )
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Concept art from The Croods by Floriane Marchix (2013, DreamWorks Animation)
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Concept art from Hotel Transylvania by Neil Ross : limbolo.net
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The beautiful shape language of the trees in Art Riley' compositions (1911-1998)
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My obsessions in the practice of illustration are trees, clouds, ruins, urban poetry and sunsets. What are yours?
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Backgrounds from Song of the Sea (Amhrán na Mara, 2014 Cartoon Saloon) :
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The infinite russian forest in the painting of Ivan Shishkin (1832-1898).
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Backgrounds from Vampire Hunter D: Bloodlust (2000, Mad House) :
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Beautiful interpretation of Mayan Gods by Erikas Perl : goodname.lt/totem
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Few interior design from my portfolio :
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Trying new techniques with VR tools to paint clouds :
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The inspiring shape language of Marie-laure Cruschi (Cruschiform) : cruschiform.com
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Feeling free in the open lands of Edgar Alwin Payne (1883 –1947) :