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The victim was a friend. Time for justice to be made, although nothing will make her come back. twitter.com/catsuka/status…
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Si vous aimez ma chaîne YouTube youtube.com/channel/UC70l0…
Vous pouvez nous soutenir sur Patreon pour qu'on continue les vidéos. Car je vais perdre les commentaires et probablement la monétisation de mes contenus (car contenu "for kids")!
patreon.com/thomasromain
MERCI!!😊
28
Today #YouTube changed his policy regarding content "made for kids", which will affect monetization and therefore will make video production more difficult to sustain. If you enjoy our artworks, you can support us here:
patreon.com/thomasromain
Thank you very much!
29
« Somali and the Forest Spirit »
Japanese animation TV series. French creator Vincent Nghiem is background director on the show. It’s the first time he is working at this position and wanted to create something very special.
30
Father & Sons' Design Workshop
親子デザイン工房 ✍️🎨
No.67 - OXIS-MUSCULA
Original Design: son
Watercolor Illustration : dad
The two monsters combine to form a formidable opponent.
Happy New Year!⭐️
31
Anime compositing director Kentarō Waki opens himself in English and shares his mental struggle. Animation industry can be a tough place. I really hope he can recover. 💪 twitter.com/HiconManiacs/s…
32
Don’t trace other people art. twitter.com/cartoonbrew/st…
33
I wouldn’t blame Sony on that but the agency and the director who obsiously doesn’t know the difference between inspiration and straight-up rip-off. It’s a shame. I wish the chance to shine have been given to those original and brilliant animators instead. twitter.com/catsuka/status…
34
Anime is more and more popular worldwide but the working conditions are not getting much better for animators in Japan. Thanks Geth for speaking out. twitter.com/PurpleGeth/sta…
35
Can’t wait for the Hollywood remake of this. twitter.com/kinki_official…
36
This is the brand I use. twitter.com/adamtotscomix/…
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Reportage sur notre communauté de Français expatriés dans le monde de l’animation au Japon.
@studionoborder
lemonde.fr/pixels/article…
38
We’re working on a new projet at @studionoborder ! It’s a game for kids and family. It’s developed for Sony’s new game plateform TOIO. You can check out the teaser here on YouTube.
m.youtube.com/watch?v=Mrg9bM…
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It’s been a while!
Father & Sons' Design Workshop
親子デザイン工房 ✍️🎨
No.66 - CLOUD EEL
Original Design: son
Watercolor Illustration : dad
40
You should also talk about the fact that even if you manage to have digital animators, the animation director and director often do not work digitally. Most of the digital cuts are printed frame by frame, corrected on paper and scanned again.
twitter.com/canipashow/sta…
41
Carole & Tuesday (1st part) is available on #Netflix ! I’ve been working on this Japanese animated show for one year and a half, designing all the backgrounds with my friend @BrunetStanislas at @studionoborder
42
All the people who understand something about how animation is made already criticized this tweet but let me join the party : this is 100% bs. So wrong and misinformed. 90% of character animation in anime is made without any CG support of any kind.
twitter.com/Chronexia/stat…
43
Some character designs I did for #CannonBusters anime.
The show is streaming on Netflix!
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The first designs I was in charge of during the early development of #CannonBusters anime back in 2014. This was the first time I was working with LeSean and it was a great collaborative experience.
45
It’s still very early development but I’m currently working on projects based on the Koomos, the characters my sons and I created. Sneak peek👀 We are counting on you to support us when we will be ready!💪
@studionoborder
46
Watch #CannonBusters directed by my friend LeSean Thomas🔥. I was in charge of the original character designs and mecha designs of the series. Produced in Tokyo. It’s a fun show you won’t regret it👍
Available on #Netflix
47
今日からネトフリが配信するアニメ[キャノンバスダーズ]のキャラデザインとメカデザインを担当しました。第1話の絵コンテの一部も。よろしくお願いします！
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C’est aujourd’hui que sort #CannonBusters sur #Netflix
Un anime unique, produit au Japon, mais avec un réalisateur américain, des designers français. J’étais chargé du design des persos et des robots. Un projet super fun. J’espère que la série va plaire!😊✨
49
The Dragonquest movie was gorgeous. It’s sad lot of people didn’t enjoy it because of its controversial ending. I’m personally happy to see CG animated feature films produced in Japan that can reach this level of quality.
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Father & Sons' Design Workshop
親子デザイン工房 ✍️🎨
No.65 - WILD LANDS HARPY
Original Design: son
Watercolor Illustration : dad
Creative & Art Director - Animation & Games
@studionoborder co-founder