1877
Theodore Earl Butler (1861–1936) was an American impressionist painter. He was born in Columbus, Ohio, and moved to Paris to study art. He befriended Claude Monet in Giverny, and married his stepdaughter, Suzanne Hoschedé.
1879
The game console advertisement of the last century.
1880
Frank William Brangwyn (Belgium，1867—1956)
1881
Claude Monet（French，1840.11.14—1926.12.5）
1882
Hasui Kawase (川瀬 巴水, May 18, 1883 – November 7, 1957) was an artist, one of modern Japan's most important and prolific printmakers.
1883
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Ella Du Cane (1874-1943) was a British artist best known for her watercolors of landscapes and exotic locales.
1884
Odilon Redon (20 April 1840 – 6 July 1916) was a French symbolist painter, printmaker, draughtsman and pastellist.
1885
Dean Cornwell (March 5, 1892 – December 4, 1960) was an American illustrator and muralist.
1886
Virginia Frances Sterrett (1900–1931) was an American artist and illustrator.
1887
Gian Lorenzo (or Gianlorenzo) Bernini (7 December 1598 – 28 November 1680) was an Italian sculptor and architect.
1889
Hiroshi Yoshida (吉田 博, Yoshida Hiroshi, September 19, 1876 – April 5, 1950) was a 20th-century Japanese painter and woodblock printmaker.
1891
Louis Icart (born 9 December 1888 in Toulouse, died 20 December 1950 in Paris) was a French painter, graphic artist, and illustrator.
1892
Alan Maley (January 7, 1931 – May 13, 1995) was a British visual effects artist as well as a matte painter.
1893
The Cathedral Basilica of Saint Cecilia
1894
Jan van Huysum (15 April 1682 – 8 February 1749) was a Dutch painter.
1895
Alfons Maria Mucha(24 July 1860 – 14 July 1939)was a Czech painter, illustrator and graphic artist, living in Paris during the Art Nouveau period, best known for his distinctly stylized and decorative theatrical posters, particularly those of Sarah Bernhardt.
1896
“The motives of Russian architecture” 1870
1898
“The Accolade (1901)”
Edmund Blair Leighton (21 September 1852 – 1 September 1922) was an English painter of historical genre scenes, specialising in Regency and medieval subjects.
1899
Plique-à-jour (French for "letting in daylight") is a vitreous enamelling technique where the enamel is applied in cells, similar to cloisonné, but with no backing in the final product, so light can shine through the transparent or translucent enamel.
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